Jean Dupuy, Heinz Gappmayr, Bernard Heidsieck, Arrigo Lora-Totino, Various artists, La Livre II, La Livre, 1988, Paint, marker, canvas, paperboard, stamps on paper, print on paper, 35 × 25 × 9.2 cm, Edition of 15
Courtesy of Archivio Conz, Berlin
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"La Livre II" is comprised of: 9 works by Arrigo Lora-Totino 2 works by Bernard Heidsieck 11 works by Heinz Gappmayr 11 works by Jean Dupuy 1 over sheet. All works are signed exept Dupuy's. The edition was made in 1988 in Brunnenburg Castle, Merano, Italy.
  • Paint, marker, canvas, paperboard, stamps on paper, print on paper
  • 35 × 25 × 9.2 cm
    (13 ¾ × 9 ⅞ × 3 ⅝ inches)
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  • Jean Dupuy (1925 Moulins, France – 2021 Nice, France) was a French artist, an experimenter in art and technology, and a member of Fluxus. He began his career in Paris, training as an architect at the École nationale supérieure des beaux-arts but soon shifted to painting, approaching the visual research of abstrait lyrique. Dupuy’s career as a painter was particularly successful but, in his own eyes, unsatisfactory. In 1967, he destroyed his canvases and left Paris to move to New York. In the early 1970s, Dupuy began performing collectively with numerous New York-based artists. He organized performances at the Judson Memorial Church, the Whitney Museum of American Art, MoMA PS1, and the Louvre. Events such as “Soup & Tart” at The Kitchen included contributions by Philip Glass, Gordon Matta-Clark, and Joan Jonas. In his Grommet Studio in New York, he hosted a series of performances and concerts, documented in the catalogue Collective Consciousness: Art Performances in the Seventies (1980). On the occasion of a group exhibition at the Akademie der Künste in Berlin in 1976, he met George Maciunas and became involved in Fluxus, participating in numerous related events. Between 1988 and 1991, Dupuy spent six months in Verona with Francesco Conz. Together, they produced a series of editions entirely dedicated to wordplay and phonograms. Dupuy’s works are included in some of the most prestigious institutional collections, such as those of the Centre Pompidou in Paris and the Musée d’art contemporain in Lyon. His works have been shown in exhibitions at the Fondazione Mudima in Milan (1990), the Frac Bretagne (2014), the Frac Bourgogne (2016), and the Musée d’Art Moderne et d’Art Contemporain de Nice (2007, 2015, 2016).
  • Bernard Heidsieck (1928 Paris, France – 2014 Paris) was a French sound poet who merged spoken word with a wide array of recorded material. His artistic career spanned Beat, Fluxus, and Minimalism. Heidsieck began performing his Poèmes-Partitions pieces in the mid-1950s, using typographical spacing to direct his performances. Subsequently, he began using a tape recorder as a supplementary device for writing and retransmitting. As an opponent of passive reading and advocate of active and participatory poetry, Heidsick’s readings often included performance, such as physical gestures or the use of props. From the juxtaposition of phonetic experiments and magnetophonic technologies with tape recording and cut-up techniques, the exploration of a new artistic language was pursued through the rapid development of electronic technology. In total, Bernhard Heidsieck staged over 540 public readings of his works in twenty-four countries. Beginning in 2017, the Centre Pompidou has awarded an annual non-book literary prize in honor of and named after Bernard Heidsieck. Since 2022, the Archivio Conz has partnered with the prize.
  • Arrigo Lora-Totino (Turin, Italy, 1928–Turin, Italy, 2016) was among the most prominent interpreters of Italian concrete and sound poetry. After initially focusing on painting in the late 1950s, he then turned to phonetic experimentation affiliated with poetry, visual art, and electronic music. Lora-Totino was committed to promoting the circulation of international poetic experimentation by patronizing many projects and activities. With the composer Enore Zaffiri and the analytical painter Sandro de Alexandris, Lora-Totino co-founded Studio di Informazioni Estetica, which operated between 1966 and 1975. The association promoted conferences, events, and artists close to the field of poetry and electronic music. Throughout his artistic career, Lora-Totino has taken part in numerous international exhibitions and published countless limited-edition books. Major retrospectives were held in 1996 at the Circolo degli Artisti and in 2015 at the Associazione Barriera, both in Turn. His works are included in numerous private and public collections, including the Donna Regina Museum in Naples and The Museum of Modern Art in New York.

Artworks (43)